In addition, the values above represent the maximum optional channels and bitrates for each tier. Above: Avengers, below: Avengers Age of Ultron The supported audio codecs, and their variable quality, are listed on the back of the Blu-ray box. The differences in bitrate between the lower and upper tiers will become more apparent with more expensive, higher-quality speakers…assuming that your hearing is actually good enough to discern the difference in the first place. The difference between the lossless and lossy tiers is highly subjective as well, not to mention dependent upon the quality and setup of your specific home theater. Higher bitrate does not necessarily mean higher quality, because you aren’t comparing apples to apples…just like comparing MP3 bitrates to AAC bitrates isn’t exactly fair. But remember, we’re dealing with proprietary technology used in the original studio recording and in playback. But for most standard applications, you’ll be using one of the above.Īt first glance, DTS seems to have the clear advantage on paper due to its higher bitrate encoding at all three tiers. There are some more technical differences between the codecs-for example, DTS-HD Master Audio can sacrifice the compression rates on some of its channels to boost encoding to a maximum of nine separate channels, and both DTS:X and Dolby Atmos are alternative “immersive” modes that offer even more distinct surround sound.
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